Any form of ICT operates within this condition. This situation is addressed in this research as an algorithmic condition. more This project responds to the ICT-35-2016 Enabling responsible ICT-related research and innovation, topic B, and will 'reflect and challenge the way ICT-related research and innovation is currently approached.' The computerization of society in the late 1970s has now reached a point where the global economy works through an algorithmic networked environment. This project responds to the ICT-35-2016 Enabling responsible ICT-related research and innovation. How can we teach the modalities and the genealogy of feminist actions that offer tools for everyday living and for a community practice, and which also offer some ways to engage with the affective matter of the world from a posthumanist perspective, and thereby work to shift cultural attitudes? In addition to the valuable work done by those that tirelessly figure methods of communicating social inequities, the work of research led feminist informed teaching and governance can not only excavate the histories of social, political, speciesist, and biological inequities, but also offer a critique. But feminists themselves get bound up in actions and intentions that are tied to their large object of critique (the patriarchy, the planet, the media, the canon, etc), and the micropolitics of the subjects constituting and constituted by those objects can be swept up in humanistic rhetorical gestures and words. more Feminist activism aims to work to change the inequitable structures of the world. Colman is Vice-Chair of the COST Network Grant Action IS1307 on New Materialism: Networking European Scholarship on 'How Matter Comes to Matter' and Lead Investigator on the H2020 funded Ethics of Coding: A Report on the Algorithmic Condition įeminist activism aims to work to change the inequitable structures of the world. Her current research focuses on the models and methodologies for art and screen based media analysis, in particular looking at technologically instigated moments of disruption, innovation, and change, which are central to understanding how creativity works, and what forms it manifests, in terms of cultural values, artistic practices, communication models, and industrial memory forms. Trained as an Art Historian, Prof Colman is a specialist in screen media forms, creative philosophies, communication theory and feminist epistemologies.
Felicity spent the first 15 years of her working life in the creative industries, working in fashion and textile design, and then in the art industry as a contemporary art curator. She is Professor of Media Arts, and the Associate Dean of Research for The London College of Fashion, University of the Arts, London, United Kingdom.
Professor Felicity Colman is a Creative Media Arts theorist.
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